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Ben Passikoff
Yet Once More, O Ye Laurels New makings nix winterwoe. Whoa, hold the ponies! Whistle end to sinister soulfunk, nosedrool, aged snowplows. Roots nose the potent earth, skies whorl windlifted birds in skinnysong, all angel. Lusting teens rhythm twisty pants with white imagination of their hands. Easter Jesus clambers to his cross, his blood of grapes great with sot-promise, panhandler eyes imploring history, while altaring nuns unchurched treble hosannas at his noon nailing to eternity. Wormful, earth loops with wiggle of spiral writhing from the feasted graves. Come, let us birth together, dithyrambing the lather of things in laughter lingo, to avenue the days on lilty feet sidewalking winter's coffin till his next cradle.
Not One of Us
Considering the mirror
and other icy types of real she was less total than she thought.
She was her hair. Perhaps. Halo-headed, she blinded, but the rest did not reflect.
She wore the rain. Perfect snowflakes pattering froze her into separate instants.
Molded by the clocks, others passed hand in hand with hours, their shapes
tied to the strings of time, like mothers going to ovens terminal, with children.
Saint something. She was warned: send signal, heart-red; compose in key;
open to us aorta, or you will be thirsty on the cross in the middle of birds.
Her heaven was low. She could not unkink, like a bent pin.
When she blessed with red kiss, trouble was in the lips.
Alone in eddy, her shoes full of stopped feet - last chances branching icicled trees.
God Himself is Incomplete Without Me
Giotto poured palette slather into consonance of robes on canvas or whatever surface he made live beneath the cloth. His soldi bought space stretched to host the transient swish of flesh, the living silk of ladies. Or the pierced extremes of Christ under halo on newly severed wood centered between the writhes of suppliant thugs. Giotto surged contort in the skin unknown to hitherto brush. His mountings in church hollows foretold glory to his temporary corpse, he thought: a clothe of soul in halo, harp, and robe of eternal undulation.
About
Ben Passikoff's work has appeared in the Quarterly Review of Literature, the Texas Revie3w, Atlanta Review, Harvard Review, Sarah lawrence Review, and many other journals.
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